The Grotesques

I must finally confess: I am a heroin addict. It’s consumed me. My arm is scarred with the trauma of this dependency, of this obsession, and I can think of nothing else.

No, totally kidding. Apparently my arm just can’t handle blood being drawn during yearly routine physicals.

As I gain maturity and lose wisdom, I have come to understand that everyone has a little heroin in their lives. Everyone has a downfall, albeit sweet, delicious, refreshing, and we become completely consumed by these disgraces or defeats. My mother has peanuts and Robitussin. Katherine Millay had her weakly received poetry and her older sister’s shadow. Napoleon had his own power trip and Sarah Palin doesn’t yet realize she has one. But she does. We all do. My heroin is the pain from dysfunction. We constantly battle the immediate sensation of thrill and pleasure, partly derived from a fleeting awareness of our self-erosion. And as we oscillate between this corrosive joy and objective detachment, we become our own follies. We are these grotesques, embodying in every aspect of our lives the trauma to which we have been subjected, or worse, to which we have subjected ourselves, over and over again.

The clean shaven blonde who buys his breakfast at Pret A Manger and the puffy eyed MTA worker who idles by the ticket machine and the voluptuous Spanish mother of two who buys her children $1-books on the street—all of them carry with them an addiction, the burden of their own follies. We walk lifelessly amid scores of other people consumed by this fixation, engrossed in their own powerlessness, as they are continually terrorized and claimed and ravaged by themselves.


At least we can all say we’re heroin chic.